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Milan Fashion Week has finally come to a close, and it’s pulled out all the stops. This fall/winter season, we saw Blumarine’s surprise take on Y2k-gone-emo, Gucci collaborated with Adidas, and Versace reinvented its signature house codes. Meanwhile, Prada delivered on all fronts, from style to talent. Hunter Schafer, Kaia Gerber, and a newly redheaded Kendall Jenner shared a runway show that’s somehow convincing us that the simple ribbed tank top is going to be next season.
And then there’s Moschino, which time and time again reminds us that camping isn’t just a showpiece, it’s a lifestyle. This season, his collection is completed with dresses with integrated harps and dresses that remind us of both Lumière and Cogsworth from Beauty and the Beast. But on a more serious note, we are reminded that fashion does not exist in a vacuum. As protesters converge in front of the runway collections, Giorgio Armani chose to use his runway to quietly address the dire situation.
Check out everything that happened during MFW below.
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As protesters gather outside Milan Fashion Week shows in hopes of redirecting attention to the Ukrainian conflict, Giorgio Armani has become the first designer to tackle the issue with a silent catwalk. He said on Instagram: “My decision not to play music on the show was taken as a sign of respect for the people involved in the unfolding tragedy in Ukraine.” The designer’s sensibility with his introduction was duly noted, and what followed was a collection that highlighted what will always be his legacy: a silent force.
Since Daniel Lee’s departure from Bottega Veneta earlier this year, and his creation of #NewBottega as we see the brand today, newly appointed creative director Matthieu Blazy had very, very big shoes to fill. Read our full review of his debut collection here.
Versace is sticking to his house codes this season, doing what he does best and what his audience devours. Think: black tailored suits, hints of fluorescent satin, chainmail, and bustiers in every iteration. Doubling these signature notes are houndstooth prints that we suspect will reign supreme next fall, along with a stylish reinvention of the puffer jacket.
Jeremy Scott’s Moschino clearly made him the king of camp. Whether creating Katy Perry’s 2019 Met Gala candlelight moment or presenting some of the most entertaining runways to date, her consistency is everything. This fall runway collection is no different. The designer revisited the lamp as a headdress, as well as dressing the anthropomorphic cast of Beauty and the Beast, in looks reminiscent of Lumière, Cogsworth and Plumette, the sassy duster-shaped maiden. The opulence, however, comes not from a fairy tale, but from Stanley Kubrick’s 2001: A Space Odyssey, on which the set was based. To end the show, Scott took his final bow in a red astronaut suit and we weren’t surprised at all.
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Source: www.elle.com